VERY exciting month ahead for the Women In Jazz book project. I'll be interviewing singer Jane Monheit for the book, which is exciting and opens up the door to more even more in depth discussion for the book about the voice, jazz, and the current state of the still-changing music industry. The breadth of artistry that exists among women singing jazz is staggering. Put on a record by Billie Holiday and then one by Ella Fitzgerald and you know exactly what I'm talking about. The process of crafting an interview that taps into and presents to the reader the unique perspective of an individualistic singer (or any musician) is part of the challenge with a project like this.
Monheit has a new album coming out in April that expands her repertoire further to include compositions well outside of the American songbook, and I look forward to talking with her about this intriguing step she's taking with her music.
Also ahead this month, an interview for the book with the extraordinary singer Cheryl Bentyne, one of the four members of the jazz vocal quartet Manhattan Transfer. Bentyne has always sung an extraordinary range of musical styles with formidable technique and feeling. In an age of one-note singers, lip-syncing as the standard for quality, and pointless pyrotechnics (vocal or otherwise), it's refreshing for me to hear the musicality, emotional power, and range of expression among all the singers I've been lucky to interview for the book (including Carmen Lundy, and Sofia Rei, to name just a few). Every voice is unique.
Much more news to come. Thank you for your support.